The very name Kerala conjures up visions of
natural scenic beauty and various classical dance forms such as Kathakali
and Mohiniattam. But Kerala also boasts of one of the oldest martial arts
known as Kalaripayattu. The Malayalam word 'Kalari' means gymnasium while
the term 'Payattu' means exercise in weaponry. Under the Kalaripayattu
method even a weaponless defender can overcome an armed would-be attacker.
This system lays great stress on body flexibility, hence students are
trained right from the age of seven when it is much easier to practice
supple body movements. But a well-experienced master can train students of
any age. Three main styles of this art are taught in northern, central and
southern Kerala.
Training in this martial art is imparted in four successive stages. The
first phase involves a series of body control exercises which are practiced
under verbal instructions. These exercises involve bodily poses, foot
movements and postures which aim at developing in the student the ability to
carry out powerful and precise action with full concentration against the
opponent. The students are taught to execute various vigorous actions such
as kicks and leaps.
Once this phase is mastered, the student goes onto the next stage in which
three types of wooden weapons are used. One of these is a bamboo stick,
about 170 centimeters long. The combatant can shower blows on his opponent
with this stick at a speed of 120 per minute. Then there is a short stick
about 60 centimeters long. The speed with which an expert uses this weapon
can go up to almost 300 blows per minute. The third type of wooden weapon is
a curved short stick which is used for attacking the vulnerable pressure
points of the body. Then there is the wooden club which is extremely heavy.
The user would need not only extreme stamina in wielding it but would also
have to follow strict rules and regulations. The weapon measures about 3”
in diameter at the base while the opposite side, which is to be used against
the opponent, measures about 12" to 8" in diameter. The weapon is about 3 to
4 feet long.
The next stage entails the technique of fighting with metal weapons. In this
phase, the students are trained to use swords, daggers, spears, shields and
other such deadly weapons. The student is taught to fight duels, using
various types of strokes and thrusts and also the methods of warding off
blows.
In the final stage the student is taught to fight using his bare hands. The
best among the students are trained to attack the opponent at the most
vulnerable, pressure points of the body. This enables the attacker to
disable the enemy completely.
All injuries to the combatants were dealt with by a therapy which was unique
to the kalari. This therapy is known as Kalari Marma Chikitsa. This system
which was developed by the ancient rishis and seers is based on the
knowledge about the vital points of the body. It is a highly effective
method of treating injuries and bruises. A practitioner, skilled in this
therapy can heal wounds, successfully correct deformities and set bones.
This therapy can correct all damages caused by accidents.
Apart from the martial arts, subjects such as ayurvedic medicine, yoga,
philosophy, astrology, architecture and geometry were taught in the kalari
as per tradition.
The Construction of a Kalari
The construction of a kalari or gymnasium follows a unique style. It has to
be built in a manner which ensures that that the entrance faces east. A
hollow, measuring about four feet in depth, is dug out of the ground. It is
42 feet long running in an east to west direction and 21 feet wide from
north to south. Mud is then used to level up the floor so that there are no
undulations which would hamper the movements of those practicing the combat
art.
Another feature of a kalari is the seven-tiered platform which is placed in
the south-west corner. Known as Poothara in Malayalam (platform where
flowers are kept), this structure houses the guardian deity of the kalari.
Other deities, mainly the Mother Goddess and Shiva are installed in the
corners. The students worship the guardian deity with flowers, incense and
water every morning before starting their practice. Every kalari is run by a
guru or a teacher who drills the students in the spiritual and physical
disciplines needed to master the art of Kalaripayattu.
The History of Kalaripayattu
Kalaripayattu had always been a part of the martial traditions of Kerala
right since ancient times. It is believed that the Chinese systems of Kung
fu and Karate owe their origins to this martial art of Kerala. As per both
Indian and Chinese historical sources it was introduced to China in the 4th
century AD by a Buddhist monk named Bodhi Dharma. The 9th century saw the
further development of Kalaripayattu. This martial art was practiced by the
Nairs, a warrior community entrusted with the responsibility of defending
the state and the king. This warlike tradition held sway throughout the
centuries among the warrior chieftains of ancient Kerala known as the
Mamanka Chekavers and the Lohars, the Buddhist warriors of North Kerala.
Although it dates right back to hoary antiquity, Kalaripayattu became
popular as a system of self-defense since the 12th century AD.
Until about 500 years back local rulers in Kerala used to resolve their
quarrels by fixing an Ankam or a duel to death between two duelists or
Ankachekavars, each ruler being represented by one Ankachekavar. The
combatants who were professionals trained in Kalaripayattu, used to fight
their duels on the Ankathattu which was a platform about 4-6 feet high.
Crowds would gather in the surrounding grounds to witness the combat. The
platform and these grounds were together known as Ankakalari. The ruler who
was represented by the winning duelist was considered as the victor.
Till the 16th century all the local rulers depended completely on militia
who were thoroughly trained in the art of Kalaripayattu. The skill of these
professionals was tested at tournaments in the combat grounds.
However the advent of the European colonists in the 16 century marked the
onset of the decline of Kalaripayattu. The physical power and training
imparted at the Kalaris could not stand the warriors in good stead when
pitted against the superior firepower of the Portuguese. They were
hopelessly overpowered by the sophisticated weapons of the Europeans.
The invasions by the rulers of Mysore in the late 18th century adversely
affected the supremacy of the local kings. The power and prestige of the
militia declined and under the authority of the Mysore rulers, the kalari
institution suffered a setback. Later on, in the 18th century, the rulers of
the different regions in Kerala entrusted the responsibility of defending
the region to a standing army which marked the further weakening of this
martial art.
But it was the British political domination which dealt a deathblow to the
tradition of Kalaripayattu. In the year 1792 the British had established
their supremacy over Malabar, North Kerala. The new rulers banned
Kalaripayattu in 1793 after suppressing a local uprising. In 1804 the
British authorities passed an order that those who concealed weapons or
defied the ban on carrying arms would be deported for life. The same
measures were resorted to in quelling an uprising in Travancore in Southern
Kerala. The British successfully brought this traditional military system to
an end by banning it completely. However, a band of devoted followers
secretly practiced this martial art and imparted training in it so that it
could be preserved for the sake of posterity. The traditional knowledge
pertaining to Kalaripayattu was compiled by great seers and scholars at the
beginning of the 19th century. Thus this art was safeguarded for the benefit
of the future generations.
The early years of the 20th century saw the return of Kalaripayattu. Owing
to the birth of the national movement in Kerala during that period,
importance was given to national culture and education. A lot of stress was
placed on the need to revive traditional institutions of merit. Thus the
martial art of Kalaripayattu was restored once again. In 1958 the State
Kalaripayattu Association was set up as a subsidiary organization of the
Kerala State Sports Council. This organization conducts competitions at the
district and state levels every year. Thus with a certain measure of
assistance from the state, this art is witnessing a resurgence.
Kalaripayattu and its influence on the performing arts
The martial art of Kalaripayattu also sustains the various dance forms of
Kerala such as Teyyam which call for extreme physical stamina. The
performing artistes undergo the same training as the kalari combatants. As
these dances portray stories of heroes and heroines, the artistes have to
learn the skill of using weapons in order to depict mock combats. These
performances also require bodily flexibility and agility which can be
acquired only in a kalari. Thus owing to the close links between this
martial art and the dance forms of Kerala, kalaripayattu is an integral part
of the cultural heritage of the state.
Copyright 2009 GatewayforIndia.com. All
rights reserved. |